art creation through digital hacking, or really recombinations and revisions of existing mainstream pop-cultural output.
I love Anish Kapoor.
Does living in a digital age mean we may live and die in what the novelist Thomas Pynchon has called “a ceaseless spectacle of transition”?
Given that transition goes back to all things analog as well as digital, I think we have always lived in a ceaseless spectacle of transition. But it speeds up of course, and it becomes consumption-led.
Can Twitter give a sense of the general mood? And can then the general mood be taken as prescient for the next days’ stock market? Two big ifs, but a very tantalizing prospect for all our inner data miners.